God Made Us Who We Are: Access Sunday 2024

12Oct

Excerpt from Rev. Mia M. McClain's portion of the sermon given on 10/13/24

Genesis 1:1-2, 26-27a | Translation of The Reverend Wil Gafney, PhD

When beginning he, God, created the heavens and the earth, the earth was shapeless and formless and bleakness covered the face of the deep, while the Spirit of God, she, fluttered over the face of the waters.

26 And God said, “Let us make humankind in our image, according to our likeness; and let them rule the fish of the sea, and the birds of the heavens, and the animals, and the whole earth, and over every creeping creature that creeps upon the earth.”

27 So God created humankind in God’s own image,
    in God’s own image, God created them;


Out of chaos: CREATIVITY!

God begins to create in the midst of chaos, which means that there was something present when God began to create. God was not creating out of nothingness. It might have been formless and shapeless, but in the midst of the formlessness and shapelessness, God says, “Let there be!”

God begins to organize the chaos, and we see

The diversity of God’s creativity!

God says: Let there be light, and let there be land, and there be vegetation,

And then in verse 26, God says this:

“Let us make humankind in our image,”

There is pluralism present in that very statement. There is diversity present in that statement. There is multiplicity present, which means that God is not a God of homogeneity--a creation where every creature looks like, thinks alike, or moves through the world in the same ways.

There is DIVERSITY in God’s CREATIVITY.

“Let us make humankind in our image.”

For Christians, one of our foundational texts asserts that the Word of God became flesh—that is to say that God came down here in bodily form to dwell with us and show us a way. So, “bodily experiences are revelatory to God” (Jane Deland, Images of God Through the Lens of Disability). But whose body?

 Whose body is of revelatory value to God? Whose mind is significant to God?

Is the image of God only able-bodied and with a preferred set of cognitive abilities?

In her master’s thesis paper, Jane Deland suggests that the very idea of being made in the image of God counters a lot of the cultural assumptions prevailing at the time Genesis was compiled. "In ancient Egypt and Mesopotamia, pharaohs and kings were the only ones who were thought to be made in the image of gods. Genesis [however] proclaims a revolutionary, democratic concept: every person is regal before God;”

You don’t have to be king or a Pharoah to be regal before God

You don’t have to have position and power to be regal before God

You don’t have to be able to stand up when you preach or be able to speak at all to be regal before God

This telling of the creation story in Genesis 1 opens up a realm of infinite possibilities that suggests that our varying capabilities and identities are beautiful to the all-encompassing God-unit. 

“Let us make humankind in our image.” 

When God says, “make them our image,” God means:

  • Make them like those of us with developmental disabilities
  • Make them like those of us with dyslexia
  • Make them like those of us with restrictive growth
  • Make them like those of us with hearing loss
    • With low vision
    • With loss of taste
    • With autoimmune deficiencies
    • With wheelchairs as companions
    • With mental illness

Make them in OUR image!

And we don’t have to do anything special to maintain our statuses as part of the ever-expanding Imago Dei. Unfortunately, so many of us have felt out of the fold of God’s imaging. We have lived in a world that focuses on our inabilities instead of our capabilities (Dr. Wayne Evans)

It seems like the core of our malfunction throughout the course of time has been connected to a narrow conception of the image of God, and thus, the dishonoring of the images of God that do not look like that of the dominant culture: that is often white, male, able-bodied, with a certain kind of mental capacity, and beyond. What, then, do we say to these things?

  1. As a community of faith, we must endeavor to do continual theological reflection that is liberative for ALL of creation, most notably those living with disability and unique capabilities. And that theological reflection must turn into corrective action!
  2. If we are to move in the direction of full affirmation and inclusivity, we must reject the concept of perfection that has been given to us that posits a certain set of abilities as the norm.
  3. We must proclaim that disability is inherent to God’s creation. It is not something that needs to be prayed away. It is not a punishment. In fact, when God sees us—with their varying abilities—I believe God smiles! God sees God’s reflection in us and God smiles.

No matter what the world says about you, God smiles on you!

No matter how the world tries to limit you to your diagnosis, God smiles on you.

God loves you/me/us.

God’s grace is for you/me/us.

And it’s not contingent on anything but our capacity to receive it.

God made us who we are!

 We are the images of God!

Posted by Mia McClain

Short Bio

From the stage to the pulpit, Mia integrates her artistic, academic, and spiritual callings in pursuit of life and liberation. An artist-turned-pastor, she holds a Bachelor of Fine Arts in Musical Theatre from Syracuse University, a Master of Arts from New York University, and a Master of Divinity from Union Theological Seminary in the City of New York. An ordained minister in the United Church of Christ, Mia serves as the Senior Pastor of Riverside Baptist Church in Washington, D.C. where she is the first African American and first woman to lead the congregation in its 165-year history. A  published songwriter and  liturgical designer, she is recognized for her work in decolonizing worship, cultivating inclusive spiritual spaces, and integrating artistic practice into congregational life. She is a sought-after preacher, facilitator, and contributor to ecumenical worship and formation initiatives.

Long Bio

From the stage to the pulpit, Mia integrates her artistic, academic, and spiritual callings in pursuit of life and liberation.  A native of New Orleans, she began training early in dance, piano, voice, and violin, performing in both community and professional theatre. She went on to earn a Bachelor of Fine Arts in Musical Theatre from Syracuse University’s Department of Drama and built a distinguished career as a performer.As an actor, Mia appeared on stages across the country including Portland Centre Stage, Syracuse Stage, Northshore Music Theatre, and Westchester Broadway Theatre in shows including Hairspray, All Shook Up, Ain’t Misbehavin, Sistas: The Musical, and more. As a published songwriter, arranger, and composer, she has written for solo artists, musical groups, denominations, and conferences, and is a member of the American Society of Composers, Authors and Publishers (ASCAP).

Mia’s academic work explores the intersection of performance art, spirituality, and identity. She holds a Master’s degree from New York University’s Tisch School of the Arts, where she examined the relationship between performance arts and Black identity politics. Her culminating thesis was an original, interactive one-woman show titled Color Me. Inspired by her pastor to deepen her theological imagination, she pursued a Master of Divinity degree from Union Theological Seminary in the City of New York, concentrating in homiletics and psychology. During her time at Union, she was active in the Black Women’s Caucus and awarded both the Jonathan Kneeland Preaching Fellowship and the Karen Ziegler Feminist Preaching Prize.

Mia was licensed to preach at the First Corinthian Baptist Church (Harlem) and ordained in the United Church of Christ. She currently serves as the Senior Pastor of Riverside Baptist Church in Washington, D.C., making history as the church’s first African American and first woman to hold the role in its 165-year legacy. Her previous ministry roles include Associate Minister of Faith Formation and Outreach at Myers Park Baptist Church in Charlotte, North Carolina, where she was the first African-American member of Senior Staff, and Interim Director of Children’s Ministries at Fort Washington Collegiate Church in New York City.

Mia continues to innovate and integrate: liturgically, homiletically, and artistically. In 2020, she received an Innovation Grant from Duke Divinity School’s Foundations of Christian Leadership program, supporting her research on decolonizing liturgical practice and space, which led to the creation of her ongoing course, “Decolonizing Liturgy.” The course has been engaged in Baptist, UCC, and ecumenical settings. Additionally, She has served as liturgist and songwriter for the United Church of Christ at General Synods 33 and 34, and as songwriter for the United Church of Canada and United Church of Christ’s Advent Unwrapped projects (2022 and 2023). Her creative and liturgical work has been commissioned by the Central Atlantic Conference of the United Church of Christ, the UCC’s Media Justice Ministry, Duke Divinity, Church & Society of the United Methodist Church, the Katie Geneva Cannon Center for Womanist Leadership, the RISE Together Conference for Women of Color in Ministry, and the Alliance of Baptists Thrive Initiative. A sought-after proclaimer, Mia has been featured on podcasts, at protests, and in pulpits, embodying and empowering revolutionary discipleship that transforms the conditions of our living together. 

She is the proud mom of Harry (poodle) and Mr. Trio (cat), a connoisseur of king cake, and a tomato gardener.

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